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Bonnie Kellert
Performance / Recordings 
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Bonnie taking applause at Benefit Recital for Washington Int’l Competition

Here I offer some mementos of my piano performances: photographs, newspaper reviews, samplings of my live recordings. 

 

I have been performing in public since the age of nine.  I find it immensely satisfying to create a connection between the composer and the audience by sharing my interpretation.  Preparing for a recital is a personal journey of discovery delving into the composer’s compositional style and expressive ideas plus dealing with technical and emotional demands.  I continue to be influenced by great artists in the music world with whom I had the good fortune to study:  Alexander Lipsky, Emerson Meyers and Leon Fleisher. 

 

Telling a story effectively, revealing the composer’s intention and communicating this with the audience comes about after much exploration.  I find that I play differently when there is an audience. There is an enormous sense of excitement and satisfaction that I feel when the audience connects with me.  I love that I am able to share musical ideas with others, and that all of the preparation has been worth the effort.

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Bonnie Kellert in Concert, National Gallery of Art, 19 June 1983, drawn by Nancy Zymelman, in the audience

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Review by Shirley Wagener, Sentinel Women's Editor

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Review by Paul Hume, Washington Post

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Review by Milton Berliner, The Washington Daily News

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Review by John Vinton, The Evening Star

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Review by Jerry Floyd, The Washington Times

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Review by Wendell Margrave, The Star-News

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Review by Alan Kriegsman, The Washington Post

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Review by Ylda Novik, The Evening Star

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Review by Pamela Sommers, The Washington Post

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Letter from Konrad Wolff, Pianist

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Letter from Leon Fleisher, Pianist

Samples of Bonnie's Performances

LISZT: Mephisto Waltz

22 March 1967, Peabody Institute, North Hall

00:00 / 10:42
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